︎ Newsletter Archive

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2024
04 — Visualizing Music Production
03 — Client Project: One Burger
02 — A Rejection on the Eve of Launch
01 — Client Announcement: Dataland

2023
12 — Designer Brain, Programmer Brain
11 — Not Thousands of Connections, But Progress
10 — Revisiting My Working Environment
09 — Client Project: Sounds Studio
08 — A Vision for Future Apps
07 — Getting Organized
06 — Three’s a Party: YOY Trends for Independent Work
05 — Retrospective: EZPZ
04 — Client Project: The Rivalry Website
03 — Client Project: EZPZ
02 — Closing a Chapter: Within
01 — Delays in the Creative Process

2022
12 — Community Edits: A Project Concept in Web3
11 — Thinking About Working Environments
10 — Drawing Structures from Text
09 — Software as Artwork (SaAw) is Here
08 — Waiting for Stakes Coming to an End
07 — Drawing Thousands of Relations Together
06 — Logging the Second Year of Independent Work
05 — Now Answering How Writing with Open Access Works
04 — WIP: How Does Writing with Open Access Work?
03 — Back in Stock After 6 Years
02 — Searching for Function out of Form
01 — Writing + Images: Expanding on Questions

2021
12 — My Growing Thoughts on NFTs
11 — Curaturae Showing in the Bay Area
10 — Design Retrospective on Curaturae
09 — Patatap Part of Liminal Territories
08 — NEW INC Y7 in the Books
07 — A Complicated Relationship with Open Source
06 — Writing with Open Access
05 — A Year of Independent Work in the Books
04 — Activating Smithsonian’s Open Access
03 — Exploring the Fever Pitch
02 — Seeing something in the Museum Experience
01 — Looking Toward an Anniversary

2020
12 — 2020 Creative Silver Linings
11 — Digging into Cultural Futures
10 — Six Years of Secret 7”
09 — Remembering Your Roots
08 — Next Steps: Fall & Beyond
07 — Open for Business
06 — Inviting You to a Virtual-first Art Exhibition
05 — From br1 to just Jono: Reintroducing Myself
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